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	<title>A Blog about Typography, Letterpress and Printing History &#124; News from Typoretum &#187; design</title>
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	<description>About Typography, Letterpress and Printing History.</description>
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		<title>1Q84 by Haruki Murakami – Limited Edition</title>
		<link>http://blog.typoretum.co.uk/2011/10/27/haruki-murakami-1q84-%e2%80%93-limited-edition/</link>
		<comments>http://blog.typoretum.co.uk/2011/10/27/haruki-murakami-1q84-%e2%80%93-limited-edition/#comments</comments>
		<pubDate>Thu, 27 Oct 2011 16:31:49 +0000</pubDate>
		<dc:creator>Justin Knopp</dc:creator>
				<category><![CDATA[books]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[letterpress]]></category>
		<category><![CDATA[printing]]></category>
		<category><![CDATA[typography]]></category>
		<category><![CDATA["Haruki Murakami" 1Q84 "Special Edition" "Simon Rhodes" "Kristen Harrison" "The Curved House" "Stefanie Posavec" "Justin Knopp" Typoretum "Random House" Letterpress Book Books Somerset "Velvet Newspri]]></category>

		<guid isPermaLink="false">http://blog.typoretum.co.uk/?p=483</guid>
		<description><![CDATA[After being sworn to secrecy over the past few months, we can finally reveal a rather special book project that we have been working on – a limited edition of Haruki Murakami’s 1Q84. We letterpress printed the covers onto Somerset Velvet Newsprint 280gsm card stock and the book edges were printed at our studio using [...]]]></description>
			<content:encoded><![CDATA[<p>After being sworn to secrecy over the past few months, we can finally reveal a rather special book project that we have been working on – a limited edition of Haruki Murakami’s 1Q84. We letterpress printed the covers onto Somerset Velvet Newsprint 280gsm card stock and the book edges were printed at our studio using an innovative technique that will be staying a closely guarded secret!</p>
<p>This signed and numbered edition of 1Q84 is limited to exactly 111 copies. The front and back covers are printed on Somerset, a 100 percent cotton archival paper, using a Swiss-made 1963 Gietz Art Platen hand-fed letterpress. This limited edition is a collaboration between Simon Rhodes, Kristen Harrison at  <a href="http://www.thecurvedhouse.co.uk/" target="_blank">The Curved House</a> and designer  <a href="http://www.itsbeenreal.co.uk/" target="_blank">Stefanie Posavec</a>. Text design by Jim Smith. Covers printed by Justin Knopp at   <a href="http://www.typoretum.co.uk" target="_blank">Typoretum</a>. Text pages printed and bound by Graphicom, Verona. Published by Harvill Secker in 2011.</p>
<div id="attachment_484" class="wp-caption alignnone" style="width: 490px"><a rel="attachment wp-att-484" href="http://blog.typoretum.co.uk/2011/10/27/haruki-murakami-1q84-%e2%80%93-limited-edition/1q84_special_edition_book_set/"><img class="size-full wp-image-484" title="1Q84 Limited Edition – Books 1, 2 &amp; 3" src="http://blog.typoretum.co.uk/wp-content/uploads/2011/10/1q84_special_edition_book_set.jpg" alt="" width="480" height="360" /></a><p class="wp-caption-text">1Q84 Limited Edition – Books 1, 2 &amp; 3</p></div>
<div id="attachment_485" class="wp-caption alignnone" style="width: 490px"><a rel="attachment wp-att-485" href="http://blog.typoretum.co.uk/2011/10/27/haruki-murakami-1q84-%e2%80%93-limited-edition/1q84_special_edition_book_3_back_detail/"><img class="size-full wp-image-485" title="1Q84 Limited Edition – Signed back of Book 3" src="http://blog.typoretum.co.uk/wp-content/uploads/2011/10/1q84_special_edition_book_3_back_detail.jpg" alt="" width="480" height="360" /></a><p class="wp-caption-text">1Q84 Limited Edition – Signed back of Book 3</p></div>
<div id="attachment_486" class="wp-caption alignnone" style="width: 490px"><a rel="attachment wp-att-486" href="http://blog.typoretum.co.uk/2011/10/27/haruki-murakami-1q84-%e2%80%93-limited-edition/1q84_special_edition_book-3/"><img class="size-full wp-image-486" title="1Q84 Limited Edition – Book 3" src="http://blog.typoretum.co.uk/wp-content/uploads/2011/10/1q84_special_edition_book-3.jpg" alt="" width="480" height="360" /></a><p class="wp-caption-text">1Q84 Limited Edition – Book 3</p></div>
<div id="attachment_488" class="wp-caption alignnone" style="width: 490px"><a rel="attachment wp-att-488" href="http://blog.typoretum.co.uk/2011/10/27/haruki-murakami-1q84-%e2%80%93-limited-edition/1q84_special_edition_book-2_detail/"><img class="size-full wp-image-488" title="1Q84 Limited Edition – Book 2 (detail)" src="http://blog.typoretum.co.uk/wp-content/uploads/2011/10/1q84_special_edition_book-2_detail.jpg" alt="" width="480" height="360" /></a><p class="wp-caption-text">1Q84 Limited Edition – Book 2 (detail)</p></div>
<p>More photographs of this project can be viewed on our  <a href="http://www.flickr.com/photos/typoretum/sets/72157627990767730/">Flickr Photostream</a>.</p>
]]></content:encoded>
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		<title>Critical Tensions – Tenth annual St Bride Library conference</title>
		<link>http://blog.typoretum.co.uk/2011/08/03/critical-tensions-%e2%80%93-tenth-annual-st-bride-library-conference/</link>
		<comments>http://blog.typoretum.co.uk/2011/08/03/critical-tensions-%e2%80%93-tenth-annual-st-bride-library-conference/#comments</comments>
		<pubDate>Wed, 03 Aug 2011 11:29:53 +0000</pubDate>
		<dc:creator>Justin Knopp</dc:creator>
				<category><![CDATA[design]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[St Bride Library]]></category>
		<category><![CDATA[typography]]></category>
		<category><![CDATA[Alan Kitching]]></category>
		<category><![CDATA[Conference]]></category>
		<category><![CDATA[Derek Yates]]></category>
		<category><![CDATA[Gerry Leonidas]]></category>
		<category><![CDATA[Jack Schulze]]></category>
		<category><![CDATA[Jonathan Barnbrook]]></category>
		<category><![CDATA[Lucienne Roberts]]></category>
		<category><![CDATA[Paul Rennie]]></category>
		<category><![CDATA[Phil Baines]]></category>
		<category><![CDATA[Rebecca Wright]]></category>
		<category><![CDATA[Steve Watson]]></category>
		<category><![CDATA[Vaughan Oliver]]></category>
		<category><![CDATA[Zoë Bather]]></category>

		<guid isPermaLink="false">http://blog.typoretum.co.uk/?p=423</guid>
		<description><![CDATA[On Thursday 10th &#38; Friday 11th November 2011, the  St Bride Library will hold its’ tenth annual conference on the theme of Tension in design. Speakers include Phil Baines, Jonathan Barnbrook, Zoë Bather, Alan Kitching, Gerry Leonidas, Lucienne Roberts, Vaughan Oliver, Paul Rennie, Jack Schulze, Steve Watson, Rebecca Wright and Derek Yates. “Tension is frequently [...]]]></description>
			<content:encoded><![CDATA[<p>On Thursday 10th &amp; Friday 11th November 2011, the  <a href="http://stbride.org/library" target="_blank">St Bride Library</a> will hold its’ tenth annual conference on the theme of <em>Tension</em> in design. Speakers include Phil Baines,  Jonathan Barnbrook,  Zoë Bather,   Alan Kitching,  Gerry Leonidas,  Lucienne Roberts,  Vaughan Oliver,   Paul Rennie,  Jack Schulze,  Steve Watson, Rebecca Wright and Derek  Yates.</p>
<p><img class="alignnone size-full wp-image-427" title="st_bride_1" src="http://blog.typoretum.co.uk/wp-content/uploads/2011/08/st_bride_1.jpg" alt="" width="480" height="319" /></p>
<p><em>“Tension is frequently described as a positive in design,  with designers balancing opposing constraints and visual ideas in often  ‘perfect tension’. Design work balances a whole series of tensions:  analogue–digital; male–female; Twitter–Facebook; art–design; East–West;  old–young; interns–employees; global–local; micro–macro;  educated–‘feral’; in-house–independent; degree course–short  course/apprenticeship; designer–client.</em></p>
<p><img class="alignnone size-full wp-image-428" title="st_bride_2" src="http://blog.typoretum.co.uk/wp-content/uploads/2011/08/st_bride_2.jpg" alt="" width="480" height="318" /></p>
<p><em>In these uncertain times of economic and educational cutbacks, what  of the old adage that from adversity comes creativity? In the aftermath  of WWII, the exhibition ‘Britain can make it’ celebrated the potential  of design as a tool for national recovery. The political struggles of  the 1960s fuelled the portfolios of a generation of our most celebrated  graphic designers. So where are seeds of creativity emerging from  current struggles? What are the key points of tension today and what  possibilities for designerly making and thinking are opening up as a  result? Is tension vital to the design process itself?</em></p>
<p><em>Join us to such ask questions and more at Critical Tensions, the  tenth annual St Bride Library conference, 10–11 November 2011. Embracing  history, education and design practice, this two-day event provides a  space for meeting and voicing concerns, for collectively exploring  ideas, sharing strategies, consolidating knowledge, and for challenging  and reaffirming values.”</em></p>
<p>For further information, or to book tickets to the Conference, click  <a href="http://stbride.org/events?show=criticaltensions" target="_blank">here</a> or visit the  <a href="http://stbride.org/library" target="_blank">St Bride Library</a> website.<em></em></p>
]]></content:encoded>
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