‘What Face Wednesday’ No.17

Welcome to the seventeenth ‘What Face Wednesday’ metal typeface identification competition! This week’s prize is a choice of any two hand-printed letterpress greeting cards (including free International p&p) from the selection on my  Typoretum website.

All correct answers will be placed in a hat and one winner will be randomly drawn. To enter the prize draw, all you need to do is identify the typeface shown below and  email your answer to me.

Congratulations to the winner of this week’s competition, Mike Edwards, who correctly identified the typeface as Saxon Black. This typeface was introduced by the Sheffield typefounders’ Stephenson, Blake & Co. in 1884 and the punches were cut by Rochaix.

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Letterpress Exchange Group bundle – August 2009

One of the ‘Daft Robots’ created from letterpress ornaments, by Mike Edwards

One of the ‘Daft Robots’ created from letterpress ornaments, by Mike Edwards

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The title of ‘Daft Robots’

The 51st bundle of the  Letterpress Exchange Group (LEG) arrived recently and, as always, the package contained a wonderfully eclectic collection of beautifully executed letterpress work. With great difficulty, I have selected my favourite pieces from the August bundle and have posted them here, for your enjoyment.

Mike Edwards contributed a booklet that features a collection of ‘daft robots’ made from typographical ornaments and border pieces. Simon Smallwood’s reproduction of a breakfast ticket pays incredible attention to detail and the Caslon types were loaned by John Randle of The Whittington Press. The original ticket can be viewed  here.

Helen Ingham’s poster formed part of a series of protests against job cuts at the Sir John Cass Dep’t of Art Media and Design at London Metropolitan University. It is an adaptation of a poster that originally appeared in the Paris student revolution in 1968 (the original featured General Degaulle gagging a student, while Helen’s poster featured their head of department!).

John Cornellisse and his computer-controlled Monotype Caster have been busy casting type for a letterpress printed edition of Le Grain de Sable by August Michel Benoit Gaudichot. John is to present the completed book at the annual meeting of the  Multatuli-Society in the library of the University of Amsterdam on 7th November.

Andrew Dolinski contributed a sample sheet of Poltawski that was published, along with his article on the typeface, in Matrix 28.

For more information about LEG, or membership enquiries, contact Alan Brignull at  alan.98@virgin.net. Currently, there is a small waiting list for membership.

Reproduction charity breakfast ticket by Simon Smallwood

Reproduction charity breakfast ticket by Simon Smallwood

Woodletter and linocut protest poster by Helen Ingham

Woodletter and linocut protest poster by Helen Ingham

Pages from John Cornelisses’s Monotype-set edition of Le Grain de Sable

Detail of John Cornelisses’s Monotype-set edition of Le Grain de Sable

A complex arrangement of letterpress ornaments by Alan Brignull of the Hedgehog Press

A complex arrangement of letterpress ornaments by Alan Brignull at the Hedgehog Press

A sonnet, hand-set in Garamond Italic, by Graham Moss of Incline Press

A sonnet, hand-set in Garamond Italic, by Graham Moss at the Incline Press

Woodletter cover for a reprint of George Borrow’s ‘Wild Wales’ by Peter Criddle at the Ericius Press

Woodletter cover for a reprint of George Borrow’s ‘Wild Wales’ by Peter Criddle at the Ericius Press

Type specimen of Antykwa Pó?tawskiego by Andrew Dolinski

Type specimen of Antykwa Póltawskiego by Andrew Dolinski

Woodletter protest poster by Richard Lawrence

Woodletter protest poster by Richard Lawrence

The 40th Whittington Summer Show

We are delighted to be exhibiting at this year’s Whittington Summer Show, on the afternoon of Saturday 5th September. A selection of our letterpress greeting cards will be for sale in addition to some woodletter posters and examples of our bespoke work. It will be a busy day as I will be sharing my time between representing  Typoretum and manning the  The Occasional Print Club stall, where we will be selling copies of our latest  OPC poster.

The Whittington Press will also be holding its annual open day and several other private presses, a marbler, a typefounder, a bookseller and a paper merchant will also be showing their wares.  The Whittington Press will be showing off its latest publications.

40th Whittington Summer Show poster with hand stencilled illustrations by Miriam Macgregor

40th Whittington Summer Show poster with hand stencilled illustrations by Miriam Macgregor

‘What Face Wednesday’ No.16

Welcome to the sixteenth ‘What Face Wednesday’ metal typeface identification competition! This week’s prize is a choice of any two hand-printed letterpress greeting cards (including free International p&p) from the selection on my  Typoretum website.

All correct answers will be placed in a hat and one winner will be randomly drawn. To enter the prize draw, all you need to do is identify the typeface shown below and  email your answer to me.

Congratulations to the winner of this week’s competition, Catherine Dixon, who correctly identified the typeface as Fry’s Ornamented. Originally cut by Richard Austin in 1796, it was reissued in 1949 by the Sheffield typefounders’ Stephenson Blake who had acquired the matrices. Three additional sizes were cut in 1950.

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A commission for ilovetypography.com

Recently I was commissioned by John Boardley of  ilovetypography.com fame to letterpress print a typographical design that he set in the recently released digital typeface  Restraint. I was delighted to have been asked and had a 16 gauge magnesium relief plate etched from John’s artwork for printing on my 1963 Swiss-made Gietz Art Platen printing press.

A small edition was printed onto 100% cotton 175gsm Somerset Book paper and these prints will soon be available for purchase from the iLT shop at shop.ilovetypography.com. More images showing the printing of this commission can be viewed on our  Flickr Photostream.

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‘What Face Wednesday’ No.15

Welcome to the fifteenth ‘What Face Wednesday’ metal typeface identification competition! This week’s prize is a choice of any two hand-printed letterpress greeting cards (including free International p&p) from the selection on my  Typoretum website.

To enter, all you need to do is identify the typeface shown below and  email your answer to me. Whoever correctly identifies the typeface first will be the winner. If you are also able to name the typefoundry that still casts this typeface, I’d be very impressed!

Congratulations to the winner of this week’s competition, Indra Kupferschmid, who correctly identified the typeface as  Ratdolt Titling. This typeface was designed by Victor Hammer, based on a typeface by Ehrhardt Ratdolt, circa 1480. It is still cast, in 24 point, by the  Dale Guild Type Foundry in the US. Theo Rehak, proprietor of the Dale Guild Type Foundry, laboured many years to complete Victor Hammer’s punches, begun in 1940s.

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Type Daily – Typography, fonts, & lettering news aggregator

Since you’re reading this and you are almost certainly interested in typography, it is highly likely that you will have already heard about  Type Daily, the newly launched RSS aggregator.  Type Daily is the brainchild of John Boardley, creator of  I Love Typography and  We Love Typography and has already become my browser home page!

Along with RSS feeds from a comprehensive list of typography-related blogs,  Type Daily also features feeds from YouTube and Flickr, highlighting movies and images of letterpress and typographic interest. I fear that  Type Daily will swallow up the first couple of hours of my days but it is an informative and inspirational resource for anyone that has more than a passing interest in typography.

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‘Advice for the Road’ letterpress poster by Bradley Hotson

Using a quote from the film An American Werewolf in London as inspiration, Bradley visited the  Typoretum recently and set about typesetting and printing a handful of woodletter posters. The Gill Sans Condensed woodletter was printed in dense black ink on my hand-operated 1960s Farley 24a proofing press. The moon image was achieved by taking a print directly from the ink disc of my late 19th Century Model No.2 parlour press, that we inked in a pale transparent fluorescent green.

A very limited number of these posters can be purchased directly from Bradley at  bradley [at] hotsonstudio.com.

‘Advice for the Road’ letterpress poster by Bradley Hotson

‘Advice for the Road’ letterpress poster by Bradley Hotson

Bradley Hotson preparing the printing forme on my Farley 24a proofing press, in the Typoretum

Bradley Hotson preparing the printing forme on my Farley 24a proofing press

‘What Face Wednesday’ No.14

Welcome to the fourteenth ‘What Face Wednesday’ metal typeface identification competition! This week’s prize is a choice of any two hand-printed letterpress greeting cards (including free International p&p) from the selection on my  Typoretum website.

All correct answers will be placed in a hat and one winner will be randomly drawn. To enter the prize draw, all you need to do is identify the typeface shown below and  email your answer to me.

Congratulations to the winner of this weeks’ competition, Stewart Luetchford, who correctly identified the typeface as Castellar. This typeface was designed by John Peters and introduced by The Monotype Corporation in 1957.

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New letterpress poster by The Occasional Print Club

The second meeting of The Occasional Print Club (OPC) took place at  JMG – the letterpress studio of  Jonathan Kielty and  Ross Shaw – last weekend and we produced a collaborative experimental letterpress poster, based upon F.W. Goudy’s famous ‘I am type’ quotation. This poster was printed, in three colours, on a Stephenson Blake proofing press onto acid-free Zerkall mould-made paper and a small number of these posters are now available for purchase via my  Typoretum website.

Letterpress poster by The Occasional Print Club

Letterpress forme by The Occasional Print Club

Detail of letterpress poster printed by The Occasional Print Club

Detail of letterpress forme by The Occasional Print Club

Letterpress typesetting by The Occasional Print Club

The OPC was formed in November 2008 by myself and three other typographers;  Jonathan KieltyPat Randle and  Ross Shaw. More photographs can be viewed via our Flickr Photostream at www.flickr.com/photos/theoccasionalprintclub.